Monthly Archives: August 2016

Francois Truffaut famously said that whenever you make a film, there are actually three films: The film you plan to make, the film you think you’re making, and the film you discover you’ve made. I’m one week into the second film, and I’m ecstatic.

Sure, we had some issues. The first day on any set is always something of a clusterfuck. It takes time for a crew to gel. Usually we spend the first two days stumbling over each other, getting in the way, arguing and figuring out who is worth fucking.

I apologize. That’s an inside joke.

Once we got our gears all synchro-meshed like a three-speed Pontiac, everything moved pretty smoothly. That’s not to say we had no issues. We did, in fact, fire an entire department, and have replaced them (much to the film’s benefit), but this shit happens. I like to joke that it isn’t a day on an indie film if there isn’t at least one existential threat. Things like this are why I haven’t had a day off from Diminuendo since mid-July, and why I haven’t slept more than six hours in weeks.

And I don’t care. I love it. I love this job. I pace and I bark and I joke and I smile and I tease and cajole and push on set, and I love every minute of it. I also think I’m pretty good at it. Not only have we made our day every day this week, we’ve captured some absolutely amazing moments. Instead of forcing the film to fit my vision, the film has been telling me how it wants to be shot, and I have been listening. It works.

On Thursday, Richard Hatch made room full of grown men cry when he showed me layers to a scene that I didn’t even know existed. This is when what we do feels like sorcery.

The week ahead is a tough one. Three of our days ahead are huge, with a lot of extras and really complex scenes. And I’m nothing but excited.

Here are some great shots from week one:
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When you’re making a film, there comes a moment. It has happened on every film I’ve ever made, and every one I almost made. It’s a moment of equilibrium, either gained or lost. A fleeting moment of critical mass.

You feel it. It settles as a moment of giddiness, or a crawling in the pit of your stomach. The moment where you know, with unshakable certainty, that the film either is or is not going to happen.

Y’see, unless you’re working at a very high level of film or television, production is never certain until The Moment comes. Every movie is like a snowball rolling downhill. It either takes on weight, gains velocity and feels as if it will continue under its own momentum, or it comes apart and disintegrates.

This morning, the moment hit me. Diminuendo is happening. It’s a beautiful thing.

You’re going to be hearing me talk a lot about this film over the next several months. Here’s the scoop:

Never fully recovered from witnessing Cello Shea, the love of his life, commit suicide in front of him, famous director Haskell Edwards has fallen into a nine year, alcoholic, drug-induced slump he isn’t even sure he wants to pull out of.

When a high profile tech-company invites him to direct a movie about Cello’s life, Haskell’s not sure if he should take the job, especially when they reveal the utterly lifelike robot that will be playing Cello.

Recruiting his old friends (and enemies) to help him produce a movie that honors Cello’s legacy, Haskell is forced to relive his whirlwind relationship with Cello and finally address the differences between love and obsession.

THE CAST includes Richard Hatch (Battlestar: Galactica, Cowboys & Engines, The Rainmakers), Chloe Dykstra (Nerdist, Drag Me To Hell, Spider-Man 2), Leah Cairns (Interstellar, 88 Minutes, Fargo [Season 1]), James Deen (The Canyons, Happy-ish), Gigi Edgley (Farscape) and Walter Koenig (Star Trek, Babylon 5) as Milton Green.

PRODUCING the film are Sarah Goldberger (Cowboys & Engines, X-Rated), Hollywood Heard (Range 15, Jake’s Corner), and Ryan Linderman of Lionsgate Entertainment. The Executive Producer is Michael Hemmerich (The Jokesters, Prey).

DIMINUENDO is directed by Bryn Pryor (Cowboys & Engines, Poker) and written by Bryn Pryor & Sarah Goldberger.

Rebel 11 and Faithless Films present Diminuendo, a Flamboyance Films production.

www.DiminuendoMovie.com

 

 

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If you can’t learn to do it well, learn to enjoy doing it badly. — Anonymous