Monthly Archives: December 2017

Anger. Fear. Aggression. The nerd rage are they.

And, yeah, nothing but spoilers ahead, so don’t be a fucking tool.

Before I begin in earnest, I’d like to quote Alex DeLarge… “Let’s get things nice and sparkling clear.”

Star Wars is important to me. It’s difficult to overstate its significance in my life, or the impact seeing the first film had on me in 1977. It quite literally changed my outlook, wants, hopes and dreams in a way that can never be repeated. The joy lasted for six years, until May 25, 1983. I walked out of the Kachina Theater in Scottsdale with a feeling of sinking disappointment in my gut that simply got deeper as weeks went on. Empire had been an incredibly powerful experience, and they followed it up with a few hours of… nothing.

And then, of course, the prequels came along, tore open that old wound, and smeared hot, wet feces into it. So you have to understand my relief every time one of these new Star Wars films isn’t just bag-of-dogshit-terrible, and maybe that will forever color my perceptions. I will always default to “At Least It Isn’t The Prequels.” Star Wars is a cultural phenomenon, but it has always been a deeply flawed one. Since 1977, there has been precisely ONE truly great Star Wars film: The Empire Strikes Back. The other 8 (or 10 if you count the Ewok movies, which we don’t, do we?) range from Very, Very Good (A New Hope) to… well… “I Hate Sand.”

I tend to over-write these things, so if you’d prefer a precis of this review, here it is: The central statement of The Last Jedi is that millennials suck. I’m only partly kidding. Stay with me.

Overall, I really enjoyed Last Jedi. The Rey/Luke/Ren arc is powerful, and both feels like Star Wars, and expands the story, the world, and the mythology. I also thought the Poe/Leia/Holdo arc was strong, as long as you don’t mind realizing that Poe is fucking idiot. I don’t. It worked for me, because it ties into the central theme… but I’m getting ahead of myself.

The battle on Crait is compelling and looks gorgeous. The duel with Snoke’s praetorians is fantastic. Holdo’s moment of tactical genius is stunning (though it raises the question why hyperdrive torpedoes aren’t a battle-standard piece of kit). And the moment when we realize Leia is the single most powerful Force-sensitive in Star Wars history had me damp-eyed. It makes me genuinely sad that we’ll never see what they had planned for Leia moving forward, as this moment was obviously the introduction to something MUCH larger. All of that was great.

My problem with the film is that the stuff that doesn’t work really doesn’t work. The humor feels forced and slapsticky, which gave me Jake Lloyd flashbacks. The endless array of stupid creatures is… stupid. I love Dark Crystal, but it works because there are no humans to make you aware of what an awesome puppet show you’re watching. The Jim Henson workshop does great work, but this isn’t Fraggle Rock in Space. The porgs were… fine. The casino on Canto Bight was ridiculous. The nuns on Ahch-To were just too fucking much. I suspect the strong arm of Disney in the background demanding MORE CREATURES TO MAKE TOYS!!!

I realize it was an intentional structural choice in Last Jedi to essentially re-tell Return of the Jedi and Empire in reverse. It even kinda works. But I have a dream: In the future, I’d love to see a Star Wars film that was written with the mandate of not including ANY stock Star Wars set pieces. No cantina scene. No desperate bid to destroy a planet-killing machine. No Jedi being turned. No massive space battle. The result would be fascinating. But I digress.

Last Jedi‘s biggest problem is, of course, the second act. Finn has absolutely no reason to be in the movie. Rose even less so. The rest of the film is so well done that this overt padding is almost embarrassing. It’s obvious that the screenplay was written around the Rey story, after which Johnson made Poe the tip of the spear for what’s happening with the Rebellion Resistance and then realized he had no fucking clue what to do with Finn. As a result, we get a ludicrous, overlong, meaningless McGuffin subplot that results in nothing except fucking up Leia and Holdo’s plan.

Jamming this plotline into the seams opens up a lot of new cracks that didn’t need to be there. Finn is going to desert to… hang out with Rey? Except, won’t they then NOT be able to find their way back to the Resistance? Finn and Rose instantly being the two smartest people in the Resistance and figuring out EXACTLY how the Empire First Order is tracking them, from where, and how to defeat it? That’s just incredibly bad writing. It’s the worst kind of plot-convenience theater. “I have to get these two pointless characters out of the way and on their pointless mission. Let’s do it quick.” Rose’s little SJW rant at the fathier paddock, which is just the another of the things Rose has never seen and never done, but is an EXPERT on… like suddenly being an ace pilot. It’s all SO BAD.

And, by the way, the tracking through hyperspace that sends FinnRose off on their idiot’s errand? It’s pretty obvious that was actually a traitor among the Resistance at some point when the script was better. That scene we never see between Snoke and Hux about “the end of a string” was NOT to explain that they have some new tech that Snoke — for some reason — doesn’t know about. It was to explain (in private, where the information was safe) that Hux has an informant (or a droid or a tracker or something) on board the Resistance cruiser. It’s really fucking obvious. The red herrings are even still in place to indicate the traitor is Holdo, so this change happened late. Would have been so much better.

So, what does it all mean? One friend thinks Kylo Ren’s “tear down the old” screed is a commentary on modern politics and the two-party system. Maybe. This film went into production before anyone thought Trump could win, so it would have to be residual Bernie anger to drive that subtext.

Personally, I think the theme of the film is the hubris of youth, and the fallacy of individualism.

Yes. Seriously.

Start by thinking about the real meaning behind Luke’s disdain for the vanity and failures of the Jedi. “The Force belongs to all of us” is a very egalitarian, even socialist, viewpoint (so maybe Libby is right about the political commentary). But it’s more specific than that; “The greatest teacher, failure is,” explains Yoda, and right there, as plain as can be, he tells you what the entire film is about.

Consider; every single NEW YOUNG character ( including Snoke, who acts like a petulant teenager), begins the film with a very millennial narrow outlook focused on themselves; what do THEY want or need? When do they get THEIR moment? And all of them fail.

  • Rey fails to get Luke to return; fails to understand the Force, herself, or her visions; fails to turn Kylo Ren.
  • Kylo Ren fails to convince Rey to join him, fails to defeat Luke, fails to destroy the resistance, fails to resolve his conflict.
  • Snoke fails to turn Rey, fails to control his apprentice, fails to correctly interpret the future.
  • Finn fails to escape the ship, fails to even SPEAK to the correct codebreaker, fails to disable the tracker, and probably fails to kill Phasma.
  • Rose fails to have a reason to exist except to fuck up the ONE MOMENT when Finn finally decides to be IN the movie. Just as he’s about to do the right thing and sacrifice himself in a smart, noble, effective way, Rose wrecks it so she can have him for herself. Seriously, lady, what the fucking fuck? Are you a soldier or not?
  • Poe fails to… well… everything, because he’s a brainless, heroic dick…

Even the still-irritating-as-shit BB-8 fails to tell them there’s a way out of the base on Crait. It falls to Threepio to give them their way out, which is how it goes for the old farts in Last Jedi. Leia and Holdo always have a plan, and the plan works until the kids fuck it up. Chewie is still able to make the Falcon dance. Yoda appears to smack Luke around and make him quit wallowing in self-pity (and destroy the tree which, BTW, Yoda knows is completely free of Ancient Jedi Texts thanks to Rey). And Luke… has the best moment he ever had in any of the films.

The original characters, the older characters, all understand sacrifice for the greater good. Rey has figured it out by the end, and is finally able to help the hapless Resistance rescue itself.

As I said with The Force Awakens and Rogue One, by and large, The Last Jedi feels like Star Wars to me, and that’s the biggest expectation I have. It’s still a better film than Return of the Jedi.


As always happens thanks to the internet, there are tons of questions about the movie, theories, retcons, etc. Thought I’d address a few.

Who Is Snoke?!?!?
Everybody is up in arms that Snoke died, and he wasn’t revealed to be Darth Plagueis or Grand Moff Tarkin or Luke’s REAL father or something else convenient and intricately connected. I’m here to tell you IT DOESN’T MATTER.

Before the Bobforsaken sequels, the entirety of what we knew about the Emperor was that he was Vader’s master, and shot Force lightning from his cock. That was it. He didn’t have a backstory, a lightsaber, he didn’t even have a name. The Emperor appeared in one film as a hologram (and that wasn’t even Ian McDiarmid until the Special Editions), and another in his throne room, where he was killed by Vader. He was a powerful, malevolent presence, and then he was gone. That was plenty.

I think people are pissed off about Snoke because they expect everything to be interconnected. It’s a movie! Everything has to resolve! It doesn’t. And Snoke was never the villain of this trilogy.

(Now, all that being said, I think if you pay VERY close attention, it’s pretty obvious who Snoke is… but you’ll have to figure that out for yourself. I ain’t helping.)

What About Rey’s Parents?!?!
Again, I think you’re grasping at straws. Remember what Luke said; The Force is for all of us. Doesn’t matter who Rey’s parents are. Kylo Ren might be telling the truth (and probably is, or believes he is), or he might not. It doesn’t matter that Rey isn’t Kenobi’s daughter or Luke’s unknown child. She’s powerful, committed, and has a bunch of boring Jedi texts (and probably Luke’s Force ghost) to turn her into a true warrior. Maybe not a Jedi, but, then again, Snoke and Ren aren’t Sith, either.

Who Were the Knights of Ren and What Happened to Them?
Luke told you Kylo took some of the students with him. They became the Knights of Ren. Then, they became Snoke’s praetorian guard.

How Did No One Know Luke Was A Force Ghost on Crait?
I assume Leia did know. Didn’t matter. She was seeing her brother for the last time. Johnson certainly clued in the audience given that Luke was younger, wearing his Jedi whites, and not leaving footprints in the salt. Kylo Ren was far too overwrought to even consider it.

Was Snoke Really Responsible For The Force Bond Between Kylo Ren and Rey?
Seems unlikely since it continued after his death. Snoke wasn’t a Sith lord; just a very powerful Force sensitive and Sith groupie. Seems more likely the bond between them is a genuine mystery that connects them for as yet unknown reasons.

I should have made it clear when I mentioned that I would be writing something every day that not all of it would be public. We had some fairly major kicks to the gut lately (professionally speaking), and I have had lots to say, but none of it for public consumption. Likewise, I’ve been very vocal about a lot of things happening in the press, industry and world… but these are things I simply can’t print for public consumption.

might talk about some of the professional drama in days to come. I will resume public posting shortly with my “Last Jedi: review.

Subscribe to the Tango

Get an email whenever I blather.


Posts by Category

Posts by Date

December 2017
« Nov   Jan »

From Twitter

Random Quote

That didn’t sound like something that should come with a warning, that sounded like something that should come with balloons. — WIll McAvoy (Jeff Daniels), The Newsroom